Familiar objects, elements of architecture and geometric shapes are combined with created pre-existing digital elements, transposing them into unfamiliar configurations for a new speculative future purpose. Utilising elements derived from ‘modern’ life prognosticates and evaluates future trajectories, highlighting a symbiotic relationship between past, present and future. Therefore, this liminal proposal critiques modern ideologies and values via the fictional lens of the future.

A future in which, based on contemporary proclivities for self-improvement and knowledge valuing, society strives for the ultimate solution rendering themselves in a heightened state of vulnerability ensues objectification.

 

Utilising speculative design as a theoretical subliminal stimuli tool, 6112195-16181513919519 re-interprets specific factual and anecdotal information. Sectors of design, spa, sales, real estate, religion, ai and personal development are re-evaluated questioning their binary and associated ethicality.

Culminating multiple proposal outcomes, fluctuations of design fidelity, gaps in logic, artificial impressionism and the glitch, this work, divulges discrepancies between proposed facts, objective experience, critiquing its own legitimacy and origin.

​

​

​

The installation comprised of 1 projected moving image work, an audio track, 6x prints and 4x text works. The installation took place at Whitecliffe college graduate exhibition in 2020.